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Showing posts with label Haunted Vermont. Show all posts
Showing posts with label Haunted Vermont. Show all posts

Tuesday, October 27, 2015

Vermont Halloween Attractions

Halloween is just 4 days away and my sister tells me that she is going to Salem on that day... on a bus.  I did my part, and warned her of the throngs of tourists that she can expect; but what a cool way to spend Halloween, in Witch City, eh?


Around Vermont, you can find plenty of safe and fun events for all ages and genres.  And, be smart, enjoy our beautiful state by taking one of our BIWAYS



If you are interested in finding out what is happening in your area, contact your friendly and local Chamber of Commerce.


HERE'S THE LIST OF WHAT'S HAPPENING AROUND VERMONT:  (Click on any purple link, and it will open in a new window, should you want to learn more about any particular event)!  

QUEEN CITY GHOST WALK
Burlington, VT
802-351-1313 or info@queencityghostwalk.com


PITTSFORD HAUNTED HOUSE
426 Plains Road, Pittsford, VT 05763
(802) 236-0048 or (802) 483-2281


MONSTER BASH in Newport
Main Street, Newport, VT 
Contact Info - click this link


Saturday, October 31st - to begin at 6:30 p.m.
Parade Route:  Madison St. & Strongs Ave. to Wales St., left to West St., left onto Merchants Row ending at the plaza.


Woodstock, VT 05091-0489
802-457-2355 

2708 West Street, Proctor, VT  05736
802-773-3284


1404 Wheelock Road, Danville, VT
802-748-1399

DEADNBERRY HAUNTED HOUSE AND CORNFIELD
1094 U.S. Rt. 7 N., Rutland, VT 05701
802-747-0700



NIGHTMARE VERMONT
Champlain Valley Exposition, 100 Pearl St., Essex Junction, VT. 

Horses For Hope Halloween Bash @ Enniskerry Farm
Funds go to the American Cancer Society
906 Middle Rd, Colchester,  VT 05446
(802) 872-9992


TRICK OR TREATING IN ST. J
at the Fairbanks Museum
1302 Main St., St. Johnsbury, VT 

THROCKMORTAN MANOR - KREEPY KARNIVAL AND HAYRIDE
Route 7, Ferrisburgh, VT. 
(802) 375-4680


Halloween Express (Train Rides for All)
More info here:  Halloween Express About

Wicked Waterbury Costume Ball
802-793-6029 or zoe@revitalizingwaterbury.org


tickets@nightmarevermont.org

CORN MAZE
1404 Wheelock Road, Danville, VT 05828
info@vermontcornmaze.com



MAGIC HAT NIGHT OF THE LIVING DEAD
At the ECHO Lake Aquarium / Must be 18 yrs old +
http://www.magichat.net/nold/#nold-tickets

3-MILE CORN MAZE
277 Lavigne Road, Colchester, VT  05446
(802)655-3440


Visitor's Center, Main Street, Stowe, Vermont 
(802)244-1173

Lost Nation Theater Poe Spooktacular Halloween
39 Main Street-City Hall, Montpelier, VT 05602
(802) 229-0492 or info@lostnationtheater.org


Rocky Horror at Pentange Arts, Woodstock
31 The Green, Woodstock, VT  05091 (Town Hall Lobby)
 802-457-3981

VERMONT SYMPHONY ORCHESTRA - The Witch in the Winds
Middlebury College, Robison Hall, 72 Porter Field Road, Middlebury, VT
802-864-5741



Have fun, be safe and don't look behind you....


Saturday, July 18, 2015

The Art of The Séance

Enter Stranger... 
Leave a Friend 



 se·ance

noun
"a meeting at which people attempt to make contact with the dead, especially through the agency of a medium."

I think it would be easy to say that for as long as we have had the ability to communicate with one another as humans, we have also sought communication with the dead - or someone who has passed into the "afterlife" or, with forces that are believed to be on a higher plane than the mortal being.  Consider the worship of Gods and Goddesses, the belief of angels, ancestor worship, visions by people believing they have seen an entity - whether it be good or evil.  The list is infinite - and in the simplest of terms, it is the belief in ghosts.

Brown Lady of Raynham Hall, a claimed ghost photograph by Captain Hubert C. Provand. First published in Country Life magazine, 1936
In it's most pure setting, the Séance is normally conducted wit a medium who leads communication with spirits, by going into a trance and having the ability to channel what they have heard.  During the height of the Spiritualism movement, many of these mediums were exposed as fraudulent, however, there are those who have recorded sessions which leaves us in wonder and in awe.  Do spirits really talk to us?  The jury is still out, and it is still in debate.

Seance with Eusapia Palladino at the home of Camille Flammarion, Rue Cassini. Full levitation of a table." 12 November 1898, Gelatin silver print.
"Spiritualism is a monotheistic belief system or religion, postulating a belief in God, but with a distinguishing feature of belief that spirits of the dead residing in the spirit world can be contacted by "mediums", who can then provide information about the afterlife."  - Carroll, Bret E. (1997). Spiritualism in Antebellum America. (Religion in North America.)

"Séances are frequently attended by people who wish to contact a loved one that has recently died. For many, their experiences at a Séance provide comforting knowledge that their loved ones have not ceased to exist, that there is an afterlife, and there is a possibility of being reunited with those who have been lost."  - newworldencyclopedia.org

Some of the best classic literature contains tales of ghosts, by great authors such as Charles Dickens, Edgar Allan Poe, Stephen King, and William Shakespeare  - and these are but a few that come to mind.

Reginald Owen starred as Ebenezer Scrooge
in the 1938 film of "A Christmas Carol" 
I have never conducted my own Séance, nor have I attended one, but it doesn't mean that I haven't done my homework!  I would like to conduct an event at some point, but would have to hear from others who would like to participate!

I previously wrote about my own Ouija Board, in an earlier blog post, that I've yet to use.

Why am I waiting?  

For the fear to go away.




Preparing for your Séance

If you plan to host a Séance, naturally, you will invite people who have a purpose for attending, or at least believe in what you are attempting to accomplish - communicate with spirits.  For instance, prankster-type personalities would not be welcome.  "Non-believers" will disrupt the flow by allowing negative energy and adverse effects as you attempt to contact the spirits.  Drinking alcohol or using illicit drugs are absolutely discouraged.


"WHAT TYPES OF PEOPLE MUST BE BANNED? A circle sitting for mutual development should never admit persons addicted to bad habits, criminals, sensualists, strongly positive persons of any kind, whether rude, skeptical, violent tempered, or dogmatic. A humble, candid, inquiring spirit, unprejudiced, and receptive of truth, is the only frame of mind in which to sit for phenomena, the delicate magnetism of which is shaped, tempered, and made or marred as much by mental as physical conditions."
Source: empathys.co.uk

A planned gathering can be from 3 to 12 people, but smaller crowds are preferred.

In the room that you decide to host the gathering, you will want to ensure that it is quiet and comfortable for all guests.

Utilizing a round or small table is optimum, but a small table will work; or, if you would like, gather in a circle on the floor.

Fresh flowers only.  If you have old flowers reeking in vases, remove them and replace them with fresh flowers.  White roses and lillies would be a nice choice. The same goes for fruit that you may display.

Do not use overhead lights, or lights that are too strong.  Ideally, a few unscented candles scattered around the room would be acceptable.

"Avoid strong light, which, by producing excessive motion in the atmosphere, disturbs the manifestations. A very subdued light is the most favorable for any manifestations of a magnetic character especially for spiritual magnetism."  Source: empathys.co.uk

Prior to your guests arrival, decide upon with whom you wish to make contact, and during the course of the day, think of that person. Each person should be instructed to think about them, by manifesting their image in their mind.  Do you wish to contact a friend or relative?  What do you remember about him or her?  What do you know about this person?  What are your memories?

I have read that perhaps bringing an article or articles that was previously owned by the deceased loved one(s) may entice a spirit to draw near.  Perhaps a photograph, a diary or journal, a stilled watch or an piece of clothing may suffice.  You may even want to carry that "thing" with you for the duration of the day, prior to the Séance to fully draw it's energy toward you.


Turn OFF cell phones.  No calls.  No texts.  Leave your phone in your car or shut it off.  Period.  Frequencies from cell phones disrupt the flow.  Other video or audio equipment can be used, but chose the method carefully and place it strategically.  Still photos are acceptable.

Winter:  Never turn up the heat.  Maintain a comfortable - but never hot room.  Summer:  Keep temperatures as natural as possible.  The reason for this is that some activity from spirits may cause temperatures to fluctuate, and you will want to experience this to know with whom you are dealing.  Malevolent spirits commonly will produce an icy feeling.  If this happens, ask them to immediately leave.  With other spirits, you may experience a chill, or a wave of heat.  This is all natural and part of the process.


Planning to conduct your event at night is optimum, but can easily be arranged for daytime, as spirits do not live in "time" as we know it.  Try to plan the Séance at a time when you are the least likely to be interrupted.  Once the circle is formed, do not allow late arrivals to enter.  Do not break the circle!

Don't muck up the air by using incense.  And that would go the same for sage burning, cigarette or marijuana smoke.  If you are seeking a true experience then, stave off using any kind of smoke for the duration of the event.

Allow everyone to use the bathroom or smoke prior to forming the circle.

Assign someone to "lead" communication, this may be pre-planned, or perhaps you have invited or solicited a medium to conduct the Circle.

There is an old theory that holding or "joining" hands is mandatory during a Séance.  This simply isn't true.  A belief in the collective conscience is preferable.  Think of the "power of prayer", which is essentially the key.

A lovely way to begin would be to have all gathered, close their eyes and offer a prayer to the loved ones with whom you are trying to contact, that they protect and guide you.  It may be helpful during the prayer that all visualize light surrounding all of you.

Breathe deeply, slowly and normally.  This will help raise your consciousness and awareness.  Close your eyes at first and open them with you feel ready to do so.  Keeping this deep state of relaxation, proceed to invite those whom you want to communicate. Relax.


The lead will begin to "call the spirit".  Do not interrupt this process.  Some may later report changes of temperature, fragrances of perfume, specific food smells or cigar smoke may occur, or you may hear certain noises.  These are all to be expected, so don't panic or gasp.  Stay calm.  Let the moment be and allow the lead to make contact.  She may invite you to speak with the entity, but keep your questions logical.

Don't antagonize or taunt.  Don't ask stupid questions like who is going to win the Superbowl or for numbers of a winning lottery ticket.  Your questions should be poignant, clear and authentic.  Ask your question just once.  Everyone should have a chance to ask a question.

ghosttheory.com states: "Understand that the spirit has to cross worlds to heed to your call, and this is very painful. Thus you don’t want to anger it with such curiosities."




I found the following tips from crystalinks.com/seance, and the content has been taken, directly:

Seance Begins

Sometimes spirits may come that you did not expect. Chat quickly with them, thank them, and tell them to move on.

Some spirits chat a lot but some just say one or two things then leave. Some answer questions while others just bring messages.

There is no length of time for a seance. This is up to you, the spirit, and the medium.

It's humorous when several spirits come down and they all want to talk at once. This must be paced as one would any discussion in a group.


A seance can be a wonderful emotional healing experience when done in the proper setting with the proper medium.

Not all spirits are human. Some are animals, generally pets who have crossed over. They speak in imagery and thought as ALL is frequency of consciousness.

Some are other aspects of ourselves as we are all multidimensional and exist simultaneously in other realities.

Some are spirit guides.

Most spirits want their loved ones here to know they are okay on the other side or to clear up unfinished business.

Some come to talk about their deaths, especially with murders or suicides.

Some are funny, others sad. It's interesting that even without a physical form, many still show emotion, leaving one to believe that in some way that are attached or trapped to our physical grid reality.

Some come alone. Some come with others who wait quietly or they all talk at once, really confusing for the beginner who must tell them, "One at a time."

Some come for personal issues then continue on to tell me more about the changes occurring in the universe.

Not all spirits can come to talk when called. Some simply chose not to come. Some have returned to source.

This question remains, What do I do if the entities are negative and say things like "Die!" Stop immediately. If you can not get rid of the spirit after a few minutes, and it probably won't leave, stop the seance for that session. Someone has attracted that spirit for the adventure of it all. Dysfunctional people will attract dysfunctional spirits, for the drama of it. Be sure you know who is in your group, especially if you are a beginner.


Sometimes a person can become hypnotized during a seance and fall into a trance or deep sleep. This also occurs during group meditations. Just allow the person time to wake-up slowly after the seance is over. They should have a message to report to the group.

Ask your spirit guides to protect you. We all have guides even if we don't know their names.

Photos taken during a seance can reflect the appearance of spirit, photo scrying, and is up to personal interpretation.


ALWAYS, always....CLOSE THE DOOR:  Always thank the spirit(s) for coming.  If someone at your event, has fallen into a trance or fallen asleep only wake them afterward, and do so very gently.  Listen.  Do they have a message?

TELL the spirits good bye and that they can now move on.  It is perfectly acceptable to offer another prayer of gratitude before closing the circle entirely.  Do not be surprised if you are visited in your dreams soon thereafter the Séance.

OUIJA 

If you plan to use the Ouija Board, the same rules apply, as stated above, with the only difference being that you are using the board as a conduit to the spirit world.  Always educate yourself thoroughly prior to communicating with the spirit world.


Cool Links and information:

How to Conduct a Seance

Psychic's Universe

New Age Seance

Do's and Don'ts

This post is for information and entertainment only.  Any use of this blog post is your own responsibility, and any unpleasant consequences are your own doing. 

Wednesday, November 6, 2013

Ricker Mills a.k.a. Ricker Basin, Vermont - Ghost Town

The following content is taken directly from Obscure Vermont ~ It is so perfectly written, I could not do it justice on my own.   


"In the early 1800s, pioneers cleared fields, rocks, and stumps in Ricker Basin and Cotton Brook. A settlement of 50 or so families once lived in this area that became known as “Ricker Mills” due to the large number of people who settled there bearing the same last name. The hard demands of the land and harsh weather forced younger generations to eventually abandon the farms and buildings of the village.



On November 3 and 4, 1927, torrential rains created a disastrous flood that paralyzed Vermont. Little River’s rising waters drove the valley residents to their roofs and isolated the hillside farmers. By then, most of the population had moved away, and in 1934 a second flood occurred that put an end to community. The 1934 flood inspired the construction of Waterbury Dam, which created the Waterbury Reservoir that flooded the remains of much of the community. Five thousand men of the U. S. Army Corps of Engineers and the Civilian Conservation Corps (C. C. C.) completed the dam in 1938.

Today, old cemeteries, sawmill remains, old town roads, bridges and many cellar holes can still be seen as evidence of a past community. Little River State Park owns the land now, and a walk on one of it’s many hiking trails make these ruins easily accessible for anyone who wants to see them.

But does something else remain here other then stone foundations and weathered gravestones? Does something unknown skulk among the trees and silent swampland? I've heard rumors that Little River State Park was haunted, but never have actually heard any specific accounts of anything happening, that is until I heard this story."

"A few years ago, John, an experienced hunter took a hike into the wilds of Ricker Mountain. His plans were to spend a few days in the woods hunting and camping under the stars – a little much needed rest and relaxation.  Being an experienced woodsman, he planned carefully. He found a suitable spot for his campsite, and began to clear it of brush and tree branches. He even found some nice flat stones nearby to construct a fire pit from. The first night, he was almost asleep inside his tent when he heard a strange noise. In the darkness, he listened carefully. It sounded like fingertips that were scratching the outside of his tent. He knew he had cleared the area of any tree branches, and it was a windless night, so he thought it had to be an animal. But he noticed that the woods had descended into an eerie silence, a silence he has never heard before.  And the tapping stopped. He waited for it to start up again, but it didn't.  He soon forgot about it and fell asleep.

The next night, he awoke to the sound of someone-or something, tugging at his tent straps. Again the woods fell into that eerie silence. He sat up and tried to assess the situation, but couldn't really think about what to do other than wait for something to happen. The tugging soon stopped, and nothing ever happened. But he didn't go back to sleep – and spent the rest of the night in anticipation, waiting until the sun rose. The next morning he noticed that the tent strap hadn't just been pulled, it had been cut! It was a clean cut, as done with a knife, Yet he hadn't heard the sound of tearing fabric, or the sounds of any other human around.


Weighing his options, he decided to stay another night, probably trying to jump to a logical conclusion that could explain the previous nights events while wishing he could just forget about them. But on the third night, John got the surprise of his life. He woke up suddenly when the bottom of his sleeping bag, which was touching the tent wall, was grabbed violently “as with human hands” and forcefully yanked towards the tent door. He instinctively grabbed his shotgun next to him and yelled “try that again and you’ll be sorry!” and waited with baited breath for something to happen. And nothing did. Again he noticed the eerie, almost unnatural silence of the woods. There was absolutely nothing making a sound. He knew it would be foolish to leave in the middle of the night, especially because he didn't know exactly what was out there waiting for him. So he spent the rest of the night awake, shot gun at the ready, and as soon as the sun’s light hit the mountains he packed his things.



As he took down his tent and began to leave, he noticed something peculiar. One of the stones he had used for a fire pit had been turned over, revealing it to be an old gravestone. Somehow, unknowingly, he had used some fallen gravestones from an old cemetery as the circle of his fire pit. I asked John if he would ever go back to Ricker Mountain, now knowing what may just have been the cause of the bizarre events that plagued him on that camping trip. He just shook his head and said “nope”. I guess I can’t blame him."


Sunday, October 13, 2013

BOMOSEEN - BOOM TO BUST TO BODACIOUS BUNNIES


The town of West Castleton was abandoned long ago due to the boom to bust slate quarrying from 1850 to 1930, when the Great Depression slammed the proverbial nail in its coffin.  


There was once a mill, quarryman's houses, a store and even a a school house (No. 9) was part of this community.  


Demand for slate declined and the town basically disappeared. Slavic, Irish and Italian immigrants were the main occupants.  

One can still see the site of the quarry operation from the eastern shores of Lake Bomoseen, and if you go to the area, a few standing houses, old foundations and rubble are still visible.


"The story goes that one night in the 1800s, 3 Irish slate workers from West Castleton obtained a rowboat and decided to row to a tavern on the east shore to entertain themselves. But they never showed up. The next morning, their rowboat was found floating empty on the open waters of West Castleton bay, but no trace of their bodies were ever found. Locals say that on certain moonlit nights, the phantom rowboat can be seen moving effortlessly across the waters of Lake Bomoseen, making no disturbances in the water." 


"But if phantom rowboats don’t grab your attention, this mysterious body of water has a far stranger tale woven into its web of folklore. Towards the north end of the lake is a surprisingly undeveloped island (apart from an estate on the very southern tip). The island is long, densely wooded and rests a mere 30 feet away from the lake’s North West shore. But this island is known for something far more mysterious than its idealized lakeside seclusion." 


"It is here where Vermont’s entire population of giant rabbits are said to reside. As the name implies, they are distinctive because of their size, and more noticeable, their glowing red eyes. But how did the entire population of this elusive sub culture become to be contained on such a small island in Lake Bomoseen, and why?  Joseph Citro’s The Vermont Monster Guide offers an explanation; in a pure Darwinian principle, they somehow hopped the 30 foot jump from island to mainland, and couldn't get back. The bigger rabbits were the only ones who could make the jump, leaving the biggest of the big trapped on the isolated chunk of land in Bomoseen’s murky waters."  


What happened next however wasn’t so bizarre; they did what rabbits did best, and multiplied.  As the years progressed, they became bigger and stronger. Legend has it that some have seen rabbits as large as Volkswagons and Saint Bernards somewhere amidst the dense evergreen foliage that climb the shores.  But these rabbits are by no means new phenomenon. As a matter of fact, the Abenaki may have in fact told tales of these oversized rabbits on the island. And today, it is not uncommon to see curious campers and adventurers boating and kayaking around the island trying to catch a glimpse of these unique cryptids – and as far as we know, they are harmless. Perhaps it comes as no surprise that residents began calling the narrow landmass Rabbit Island."  http://urbanpostmortem.wordpress.com/


Tuesday, October 8, 2013

Saluting Sylvia

CAREER:  Poet and writer. Worked as a volunteer art teacher at the People's Institute, Northampton, MA, while in college; served as guest editor with Mademoiselle, summer, 1953; taught English at Smith College, 1957-58; lived in Boston, 1958-59, and Yaddo, 1959; settled in London, England, 1959, then in Devon, England.    
   
Sylvia Plath

"
ylvia Plath was one of the most dynamic and admired poets of the twentieth century. By the time she took her life at the age of thirty, Plath already had a following in the literary community. In the ensuing years her work attracted the attention of a multitude of readers, who saw in her singular verse an attempt to catalogue despair, violent emotion, and obsession with death."




Born in 1932 in Boston, Plath was the daughter of a German immigrant college professor, Otto Plath, and one of his students, Aurelia Schober. The poet's early years were spent near the seashore, but her life changed abruptly when her father died in 1940. Some of her most vivid poems, including the well-known "Daddy," concern her troubled relationship with her authoritarian father and her feelings of betrayal when he died.


Financial circumstances forced the Plath family to move to Wellesley, Massachusetts, where Aurelia Plath taught advanced secretarial studies at Boston University. Sylvia Plath was a gifted student who had won numerous awards and had published stories and poetry in national magazines while still in her teens. She attended Smith College on scholarship and continued to excel, winning a Mademoiselle fiction contest one year and garnering a prestigious guest editorship of the magazine the following summer.


It was during her undergraduate years that Plath began to suffer the symptoms of severe depression that would ultimately lead to her death. In one of her journal entries, dated June 20, 1958, she wrote: "It is as if my life were magically run by two electric currents: joyous positive and despairing negative—whichever is running at the moment dominates my life, floods it." This is an eloquent description of bipolar disorder, also known as manic depression, a very serious illness for which no genuinely effective medications were available during Plath's lifetime. In August of 1953, at the age of nineteen, Plath attempted suicide by swallowing sleeping pills. She survived the attempt and was hospitalized, receiving treatment with electro-shock therapy. Her experiences of breakdown and recovery were later turned into fiction for her only published novel, The Bell Jar.


Having made a recovery, Plath returned to Smith for her degree. She earned a Fulbright grant to study at Cambridge University in England, and it was there that she met poet Ted Hughes. The two were married in 1956. Plath published two major works during her lifetime, The Bell Jar and a poetry volume titled The Colossus. Both received warm reviews. However, the end of her marriage in 1962 left Plath with two young children to care for and, after an intense burst of creativity that produced the poems in Ariel, she committed suicide by inhaling gas from a kitchen oven.


The Bell Jar is narrated by nineteen-year-old Esther Greenwood. The three-part novel explores Esther's unsatisfactory experiences as a student editor in Manhattan, her subsequent return to her family home, where she suffers a breakdown and attempts suicide, and her recovery with the aid of an enlightened female doctor. One of the novel's themes, the search for a valid personal identity, is as old as fiction itself. The other, a rebellion against conventional female roles, was slightly ahead of its time. Nancy Duvall Hargrove observed in the Dictionary of Literary Biography, "As a novel of growing up, of initiation into adulthood, [The Bell Jar] is very solidly in the tradition of the Bildungsroman. Technically, The Bell Jar is skillfully written and contains many of the haunting images and symbols that dominate Plath's poetry." 



Materer commented that the book "is a finely plotted novel full of vivid characters and written in the astringent but engaging style one expects from a poet as frank and observant as Plath. The atmosphere of hospitals and sickness, of incidents of bleeding and electrocution, set against images of confinement and liberation, unify the novel's imagery." Hargrove maintained that the novel is "a striking work which has contributed to [Plath's] reputation as a significant figure in contemporary American literature. . . . It is more than a feminist document, for it presents the enduring human concerns of the search for identity, the pain of disillusionment, and the refusal to accept defeat."

Source:  The Poetry Foundation


Plath: Probably her most published photograph, taken 1957