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Showing posts with label Fear. Show all posts
Showing posts with label Fear. Show all posts

Sunday, October 23, 2016

The Sandman

“Sleep, those little slices of death — how I loathe them.”  
― Edgar Allan Poe



Everyone craves a good night's sleep, and we practice many ways to achieve this.   Listening to music, playing a game on your cell phone, reading, watching television and so on.   When we fall asleep, we hope for dreamless or peaceful sleep; yet, many are awakened by nightmares.  It is estimated that 5 to 10% of adults suffer from nightmares, and 50% of toddlers or children (ages 3 to 6) suffer from regular bad dreams or nightmares.  

Some people choose to utilize medications and even therapy, but personally, I prefer white noise and use a fan 365 nights per year.   About a decade ago, I used a sea-scape CD, and used repeat, to help lull me to sleep. 



Enter The Sandman.  


Commonly regarded as a cheerful presence, (always a male) who creates a restful night for children by creating sweet dreams, through some sort of wizardry.  

He is called the Sandman because he is known to blow or sprinkle magical dust, or sand, from his hands onto the eyes of children.  

In this folklore, when one wakes in the morning with grit in their eyes, it was often told to children that the Sandman had visited them.   


Jennifer Anniston as Rachel, in this short video from the popular television show Friends really dislikes anything near her eyes.

This Sandman, is frequently depicted in vintage illustrations, as a childish or small elf-like creature, who appears quite cheerful while administering his night time duty.  This Sandman is benevolent and a creator of dreams, and even has the ability to create premonitions, so that one may be able to foretell their own future.  



In 1841, Hans Christian Anderson, gave the Sandman proverbial wings in his story called, "Ole Lukøje". 



The origin of The Sandman story is believed to be Norse or Northern Europe, and most likely an oral tradition passed on to help children fall asleep, and may have been were Anderson adopted the idea.  Anderson describes The Sandman's visits with a pleasant approach:

"In the evening, while the children are seated at the table or in their little chairs, he comes up the stairs very softly, for he walks in his socks, then he opens the doors without the slightest noise, and throws a small quantity of very fine dust in their eyes, just enough to prevent them from keeping them open, and so they do not see him. Then he creeps behind them, and blows softly upon their necks, till their heads begin to droop.... Under each arm he carries an umbrella; one of them, with pictures on the inside, he spreads over the good children, and then they dream the most beautiful stories the whole night. But the other umbrella has no pictures, and this he holds over the naughty children so that they sleep heavily, and wake in the morning without having dreams at all."



There is another Sandman, whose nocturnal visits are not surrounded by sugar plums and winged fairies dancing in one's head.  He is a wicked, fanged creature with long fingers and nails, who collects the skin of his dead victims, and wears them as a putrid and decaying cloak.  He lurks in the shadows of bedrooms, whispering "tick-tock, tick-tock" which induces sleep in his victim.  Once the individual has dozed off, the Sandman may devour the innocent dreamer, suffocate you with sand, or steal your eyes and eat them!  


"Mr. Sandman, bring me a dream...." 
– The Chordettes



This very disturbing story, "The Sandman", was translated from German as Der Sandmann, written in 1816 as a short story by Ernest Theodor Amadeus Hoffmann.  It was first introduced in 1817, in his book of stories entitled, "The Night Pieces".  Hoffman delivers a inverted, satirical critique of society at that time, and feeds fear into the minds of the reader.  The story is a narrative, and, according to the protagonist's nurse in one excerpt, describes the Sandman with horror-based detail:

"He is a wicked man, who comes to children when they won't go to bed, and throws a handful of sand into their eyes, so that they start out bleeding from their heads. He puts their eyes in a bag and carries them to the crescent moon to feed his own children, who sit in the nest up there. They have crooked beaks like owls so that they can pick up the eyes of naughty human children.  A most frightful picture of the cruel Sandman became impressed upon my mind; so that when in the evening I heard the noise on the stairs I trembled with agony and alarm, and my mother could get nothing out of me but the cry, 'The Sandman, the Sandman!' stuttered forth through my tears. I then ran into the bedroom, where the frightful apparition of the Sandman terrified me during the whole night."



In the modern-day supernatural thriller based on The Legend Of Sleepy Hollow, our friend, The Sandman comes to life in Episode 3: 'For the Triumph of Evil'.  Apparently, sand emanates from his own eyes, which he gathers into his hand to cast into the eyes of his victim.  Let's face it:  He is really a disturbing creature!


^Metalica^ - Enter Sandman [Official music video]




Perhaps one of the most frightening variations of The Sandman is the character of Freddy Kruger, appearing in the 1984 movie "A Nightmare on Elm Street".   Wes Craven was Freddy's creator, who invented this seemingly invincible man to enter into the real world, via dreams.  Though this is a slasher movie, I still feel that a strong association can be drawn from The Sandman.  Freddy, and the film are a superb representation of a realized nightmare, the suffering children and the power of subconsciousness.  This flick scared me to my core, and I still have several fears resulting from watching this particular movie.  







"Wes Craven said his inspiration for the basis of Freddy Krueger's power stemmed from several stories in the Los Angeles Times about a series of mysterious deaths: All the victims had reported recurring nightmares and died in their sleep.   Additionally, Craven's original script characterized Freddy as a child molester, which Craven said was the "worst thing" he could think of. The decision was made to instead make him a child murderer in order to avoid being accused of exploiting the spate of highly publicized child molestation cases in California around the time A Nightmare on Elm Street went into production.  



Craven's inspirations for the character included a bully from his school during his youth, a disfigured homeless man who had frightened him when he was 11, and the 1970's pop song "Dream Weaver" by Gary Wright. In an interview, he said, "When I looked down there was a man very much like Freddy walking along the sidewalk. He must have sensed that someone was looking at him and stopped and looked right into my face. He scared the living daylights out of me, so I jumped back into the shadows. I waited and waited to hear him walk away. Finally I thought he must have gone, so I stepped back to the window. The guy was not only still looking at me but he thrust his head forward as if to say, 'Yes, I'm still looking at you.' The man walked towards the apartment building's entrance. I ran through the apartment to our front door as he was walking into our building on the lower floor. I heard him starting up the stairs. My brother, who is ten years older than me, got a baseball bat and went out to the corridor but he was gone." - Source: wiki




Below, "The Sandman" - an (oral narrative) horror story, created by Tam Lin.  This short film is a bit different, as it appears to be an art project, of sorts. Still and gifs pictures are combined with the spoken word create this modern and unique tale of The Sandman. 



Image Credits:

Umbrella Illustration by Caroline Emilie Mundt - Pinterest
Sleepy Hollow Sandman - tumblr
The Sandman - Illustration by Brian Bolland
Midsummer Night's Dream, 1935 gif image
Other:  tumblr, Pinterest, Google Images under search words Sandman, sleep, sleep gif

Tuesday, October 27, 2015

Vermont Halloween Attractions

Halloween is just 4 days away and my sister tells me that she is going to Salem on that day... on a bus.  I did my part, and warned her of the throngs of tourists that she can expect; but what a cool way to spend Halloween, in Witch City, eh?


Around Vermont, you can find plenty of safe and fun events for all ages and genres.  And, be smart, enjoy our beautiful state by taking one of our BIWAYS! 



If you are interested in finding out what is happening in your area, contact your friendly and local Chamber of Commerce.


HERE'S THE LIST OF WHAT'S HAPPENING AROUND VERMONT:  (Click on any purple link, and it will open in a new window, should you want to learn more about any particular event)!  

QUEEN CITY GHOST WALK
Burlington, VT
802-351-1313 or info@queencityghostwalk.com


PITTSFORD HAUNTED HOUSE
426 Plains Road, Pittsford, VT 05763
(802) 236-0048 or (802) 483-2281


MONSTER BASH in Newport
Main Street, Newport, VT 
Contact Info - click this link


Saturday, October 31st - to begin at 6:30 p.m.
Parade Route:  Madison St. & Strongs Ave. to Wales St., left to West St., left onto Merchants Row ending at the plaza.


Woodstock, VT 05091-0489
802-457-2355 

2708 West Street, Proctor, VT  05736
802-773-3284


1404 Wheelock Road, Danville, VT
802-748-1399

DEADNBERRY HAUNTED HOUSE AND CORNFIELD
1094 U.S. Rt. 7 N., Rutland, VT 05701
802-747-0700



NIGHTMARE VERMONT
Champlain Valley Exposition, 100 Pearl St., Essex Junction, VT. 

Horses For Hope Halloween Bash @ Enniskerry Farm
Funds go to the American Cancer Society
906 Middle Rd, Colchester,  VT 05446
(802) 872-9992


TRICK OR TREATING IN ST. J
at the Fairbanks Museum
1302 Main St., St. Johnsbury, VT 

THROCKMORTAN MANOR - KREEPY KARNIVAL AND HAYRIDE
Route 7, Ferrisburgh, VT. 
(802) 375-4680


Halloween Express (Train Rides for All)
More info here:  Halloween Express About

Wicked Waterbury Costume Ball
802-793-6029 or zoe@revitalizingwaterbury.org


tickets@nightmarevermont.org

CORN MAZE
1404 Wheelock Road, Danville, VT 05828
info@vermontcornmaze.com



MAGIC HAT NIGHT OF THE LIVING DEAD
At the ECHO Lake Aquarium / Must be 18 yrs old +
http://www.magichat.net/nold/#nold-tickets

3-MILE CORN MAZE
277 Lavigne Road, Colchester, VT  05446
(802)655-3440


Visitor's Center, Main Street, Stowe, Vermont 
(802)244-1173

Lost Nation Theater Poe Spooktacular Halloween
39 Main Street-City Hall, Montpelier, VT 05602
(802) 229-0492 or info@lostnationtheater.org


Rocky Horror at Pentange Arts, Woodstock
31 The Green, Woodstock, VT  05091 (Town Hall Lobby)
 802-457-3981

VERMONT SYMPHONY ORCHESTRA - The Witch in the Winds
Middlebury College, Robison Hall, 72 Porter Field Road, Middlebury, VT
802-864-5741



Have fun, be safe and don't look behind you....


Saturday, November 1, 2014

The Mortsafe

The moon slowly rises over a dark grove of pine trees.  Icy wind lashes the snow covered earth, across the skeletal arms of dead weeds and brush.


The Great Hand of the Sky splashed plumes of grey clouds winged with the luminescence of moonlight across a canopy of boundless azure sky. 



From the outside looking into the candlelit room, a family gathers solemnly around a weak and fragile young maiden who lies dying in her the great mahogany bed.  Her fever has piqued, leaving soaked sheets of white cotton, beneath an intricately embroidered silk coverlet. Logs snap and crackle in the hearth.  A somber Priest is at the foot of the bed, administering Last Rites, as Mother deeply weeps into a handkerchief.  


The young woman's heart slowly begins to wane into a faint beat and inevitably stops as she succumbs to death. 



At the moment of death, clocks will be stopped clocks to mark the moment, and mirrors are veiled in black lace or fabric, to prevent the dead's spirit from being trapped in its reflective glass. 


A wreath tied with black ribbon is hung on the outside of the front door of the home, so the public may know that a death has occurred. The wake had begun. 

This was a typical scene from the 1700's; 1800's and even into the early 1900's.  


The word wake is quite literal, when it comes the pre-Victorian, and Victorian time of death, as the body was watched over, with someone in constant attendance until the burial of the body.  During this time, the body was displayed usually in a parlor or a room of the deceased home where it is easily accessible to the public so that those wishing to pay their respects, could do so, easily.  This was also to allow time for relatives and friends to travel.  


Loved ones would sit with the body in shifts around the clock, so that the body was never left alone. The reason for this was to prevent premature burial, to ensure that the person was indeed dead, and not in a coma, as the fear of being buried alive was very much a real and intense fear. The technical term for this fear is called taphophobia. 








Before embalming became common practice, a body could begin to decay and obviously the odor was unpleasant.  


Flowers and candles were abundantly displayed to help mask the smell of a rotting corpse. 




Though the fear of being buried alive may seem far fetched, or from something of a horror flick, taphophobia is not without it's reality. -Denise Goodwin 

"Because I could not stop for Death
He kindly stopped for me
The Carriage held but just Ourselves
And Immortality" ~Emily Dickinson



"In 1905, the English reformer William Tebb collected accounts of premature burial. He found 219 cases of near live burial, 149 actual live burials, 10 cases of live dissection and 2 cases of awakening while being embalmed." -wiki


  • "The Victorian novelist and politician Edward Bulwer-Lytton asked for his heart to be punctured before he was buried, to make sure he was truly dead. 
  • The Danish author and poet Hans Christian Andersen was so frightened of premature burial that he often slept with a sign on him that read: "I am not really dead." 
  • George Washington requested that his body be watched for two days after his apparent demise. 
  • When the Duke of Wellington died in 1858, the three days Washington demanded wasn't nearly enough to satisfy the Victorians fear of premature burial. The Duke was left above ground for a full two months, just to be sure. 
  • Just before he died, Frederic Chopin supposedly wrote a note saying: “The earth is suffocating. Swear to make them cut me open, so I won’t be buried alive.” -atlasobscura.com



Arising from this hysteria was the concept of people becoming a Vampire after death. I imagine that this was most likely born from the morbid fear of being buried alive; and certainly heightened with the publication  of Bram Stoker's Dracula, later in the century. 


There is false information buzzing around the Internet which indicates that cages were devised to prevent the undead or vampires from escaping the grave, should they come back to life to suck the blood - and life - from humans.



The actual reason why these cages were constructed and erected over graves was because there was a demand for cadavers by medical schools, for the purpose of dissection by students.  Apparently eager to study anatomy.  Apparently text books didn't cut the proverbial mustard, and fresh bodies were the preferred method of learning.

Below:  Surviving examples of caged graves, known as the Mortsafe:





















"Mortsafes were contraptions designed to protect graves from disturbance. The mortsafe was invented in about 1816. These were iron or iron-and-stone devices of great weight, in many different designs. Often they were complex heavy iron contraptions of rods and plates, padlocked together - examples have been found close to all Scottish medical schools. 

A plate was placed over the coffin and rods with heads were pushed through holes in it. These rods were kept in place by locking a second plate over the first to form extremely heavy protection. It would be removed by two people with keys. They were placed over the coffins for about six weeks, then removed for further use when the body inside was sufficiently decayed. 


"Resurrectionists" (the name used to describe the student grave-robbers) had supplied the schools of anatomy in Scotland since the early 18th century. This was due to the necessity for medical students to learn anatomy by attending dissections of human subjects, which was frustrated by the very limited allowance of dead bodies - for example the corpses of executed criminals - granted by the government, which controlled the supply.


The authorities turned a blind eye to the grave-rifling because surgeons and students were working to advance medical knowledge. They kept publicity to a minimum to prevent people from realizing what was happening. The cases of grave-robbing that came to light caused riots, damage to property and even fatal attacks. 



In the early 19th century, with the great increase in numbers of schools and students, there was continual rifling of lonely graveyards, fights in city burial grounds and other disturbances. Men were employed to steal bodies and transport them from place to place, even across the sea, for sale to medical schools. Revelations led to public outrage, particularly in Scotland, where there was great reverence for the dead.



Precautions

Many people were determined to protect the graves of newly deceased friends and relatives. The rich could afford heavy table tombstones, vaults, mausolea and iron cages around graves. The poor began to place flowers and pebbles on graves to detect disturbances. They dug heather and branches into the soil to make disinterment more difficult. Large stones, often coffin-shaped, sometimes the gift of a wealthy man to the parish, were placed over new graves. 



Friends and relatives took turns or hired men to watch graves through the hours of darkness. Watch-houses were sometimes erected to shelter the watchers. One watch-house in Edinburgh is a three-story castellated building with windows. Watching societies were often formed in towns, one in Glasgow having 2,000 members. Many Kirk session houses were used by watchers. But graves were still violated.


Publicity surrounding the crimes of Burke and Hare heightened the fear felt by many people. It was about this time that vaults - repositories for dead bodies - were built by public subscription in Scotland, with their use governed by rules and regulations. Some of these were above ground while others - mainly in Aberdeenshire - were wholly or partly underground. In one village, Udny Green, in Aberdeenshire there is a unique morthouse, a circular building with a thick studded wooden door and an inner iron door. Inside there is turntable to accommodate seven coffins. A coffin would be moved round as further ones were added and by the time it reappeared the body would be of no use to the dissectionists.


Udny






Probably all communities near the Scottish schools of medicine in Edinburgh, Glasgow and Aberdeen employed some means of protecting the dead. Some used both mortsafes and watching. There are watch-houses in the remoter Scottish areas, in the Borders, and two have been found in the English county of Northumberland. There is no evidence of their use in other parts of the United Kingdom.



"The gun,  dates to 1710, is mounted on a mechanism that allows it to spin freely. Cemetery keepers set up the flintlock weapon at the foot of a grave, with three tripwires strung in an arc around its position. A prospective grave-robber, stumbling over the tripwire in the dark, would trigger the weapon—much to his own misfortune". -Tumbler


A coffin collar was used to prevent grave robbers from stealing corpses. It was fixed round the neck of a corpse and bolted to the bottom of a coffin. This picture shows the back of a collar from Kingskettle in Fife. The collar dates from around 1820.  The iron collar is fixed to a piece of wood.   -National Museum of Scotland







Above, patented designs to prevent grave robbing.